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War of the Rohirrim: the Prequel No One Asked For

Lord of the Rings: War of the Rohirrim Review

Lord of the Rings is one of the most famous fantasy series of all time. But it’s also a series to which I’ve never fully committed myself. I understand the broader strokes behind it, but the lore is so thick even I’ve found it hard to keep track of everything. Still, I appreciate the impact it’s had on fiction over the last century, and there’s no denying that the Peter Jackson films are the gold standard for the high fantasy genre. Thanks to that, and due to my undying love of anime, I was willing to give the anime film, Lord of the Rings: War of the Rohirrim, a chance.

There’s no easy way to say this…it’s not that good of a movie. At least not compared to the Peter Jackson films.

Who Asked for this Film?

Set two hundred years before the events of The Lord of The Rings, War of the Rohirrim is, in a nutshell, the story of how the stronghold of Helm’s Deep got its name. It’s told from the perspective of Héra Hammerhand, daughter of the stronghold’s namesake and a character so important, her name is lost to history. When the arrogant father of her childhood friend, Wulf, tries to seek her hand in marriage to his son, the two dad’s come to blows. When Helm kills Wulf’s father with a single punch, Wulf snaps and vows revenge. What follows is something that TV Tropes describes as amounting to a manchild throwing a huge tantrum because he didn’t get what he wanted.

If my opinion about Wulf as an antagonist doesn’t sound that high, that’s because it isn’t. Wulf is not a great villain in this film, and much of it can be attributed to poor writing. At the start, Wulf goes along with his father’s marriage proposal because he genuinely loves Héra. However, despite father Freca making it obvious that this is a play for the throne, and thus brought his death upon himself, Wulf refuses to acknowledge this fact. More importantly, his feelings of inferiority towards Héra make him take her rejecting the proposal far more personally than he should have. I know no one likes the “it’s not you, it’s me” line, but in this case, it really was Héra. She had no interest in marrying at all, valuing her freedom too much to be tied down. Instead of moving on and trying to find another woman, though, Wulf obsesses over her and lets that love grow into a spiteful hatred. I’ve seen antagonists who were obsessed with revenge and hate before, and Wulf doesn’t bring anything new to it.

Then we have Héra, our main protagonist. Despite appearing in Tolkien’s lore for the series, she’s barely mentioned, to the point where she’s not even named. She is, in essence, a character created solely for the film. And from I’ve seen in the film and what I’ve heard, she was heavily inspired by the strong female leads in Hayao Miyazaki. She does have that type of character down. She’s a strong-willed, independent young woman who is more than capable of taking care of herself, much like of Miyazaki’s female leads. Unfortunately for her, there’s one difference between her and characters like San, Nausicaa, Chihiro, and others. That difference is that, in the context of their stories, their gender is not that big a deal. However, for Héra, her gender is a big deal.

The film establishes early on that, despite being the most capable of Helm’s three kids (the other two are sons) and adored by her father, Hera still faces the sexist views of a medieval world. Ignoring what she has to say is what ends up leading to events playing out as they do in Tolkien’s history. It’s only when people start taking her seriously that she proves capable of saving the people of Rohan from certain destruction. Unfortunately for her, Game of Thrones already beat Héra in the “badass female warrior-leader” department years ago with characters like Danaerys Targaryen and Arya Stark. And Arya has a body count that numbers in the tens of thousands by the time the show ended! Héra’s got nothing on Arya!

Not that Good a Film

It’s not just the story and the characters that I have a problem with, though; it’s the animation. While I cannot deny that the animators did a great job trying to make Middle-Earth as breath-taking as fans remember, when it comes to the characters, they fall short. The way they move is stiff more often than not. Their facial expressions, often a big part of anime, aren’t that deep. And when they do fight (which isn’t as much as you would think), it’s not as exciting as you would think. Ignoring the fact that they had to stick to the established world and how battles are fought, the fights here pale in comparison to the films. As someone who sees animation as a means for us to transcend the limits of live-action, I consider that particularly egregious! Why did they even bother making this an anime film?

On paper, the idea of a Lord of the Rings anime film was a good idea. However, when it comes to the execution, War of the Rohirrim seemed to fall short for me. While some hardcore fans of Tolkien’s world might like it, for a more casual fan, like me, this film doesn’t do much to interest me. If you like Lord of the Rings, it might be worth seeing this in theaters or streaming whenever it’s out. Otherwise, I think you can pass on it.

I Give Lord of the Rings: War of the Rohirrim a 2.5/5

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