Hello folks, and welcome back to Wrong Every Time. Today we are returning for the last time to the tortured drama of Scum’s Wish, as our gaggle of lovelorn teenagers and their exceedingly dubious authority figures seek love, validation, or whatever else might fill the void inside them. From the initial dynamic of Hana and …
Give the flowers a break, lady. Impressions: And ironically, here we have the opposite from the previous show, both in being more dramatic and in reversing the genders. And yet, still winds up being almost exactly the same. People still appearing in explosions of pastels, the entire thing being internally narrated by the girl, and …
Certainly will be obnoxiously screen-cap spammed. Impressions: At least it’s expressive, but the issue with its premise is that this is already the cliche standard going back probably forty years. The fashionable girl and the gloomy boy, covering everything from Dandadan to a hojillion light novel high school harems to Yamada’s Aborted Sex Adventures. …
I’m gonna touch it. Impressions: It certainly has its template. She tells people not to do something, they ignore her and do it anyway, oops, it was a monster, she punches it. Swing, book, toilet. Plus her cursed dad in the interim. I particularly liked the end of the second segment where they took …
Time for a day of basically all shoujo premieres. Impressions: She’s beloved by literally everybody except the evil prince and his evil girflriend. We do the whole ball rejection scene and the swarthy foreigner shows up in a literal tornado of rose petals to save the day, and then have the evil girl dragged …
Weird society, but sure. Impressions: Unfortunately, I think I’d also put this on the south side of mediocre, and even with this kind of show going out of style, I am much more familiar with its ilk and when it’s done well, such as Black Bullet or Release the Spice’s intros. That’s about one part …
