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‘No Longer Allowed in Another World’ is the Anti-Isekai

RJ Writing Ink’s Initial Series Review for No Longer Allowed in Another World

Disclaimer: The following series uses the subject of suicide for comedic purposes. It is not meant to be taken seriously. If you or a loved one have thoughts of suicide, then seek help or call the suicide prevention lifeline at 988. You are not as alone as you think you are.

In this world, there are two kinds of isekai protagonists. On the one hand, we have the people who embrace getting sent to another world for all its worth and see it as a chance to make up for how dull or miserable their lives were back home. On the other hand, we have people who, for one reason or another, want nothing to do with it and want to go home. We got your Hajime’s, Naofumi’s, Nanahoshi’s, and Anne Boonchuy’s in that category. But those people wind up getting pulled into whatever isekai stuff they’re part of anyway, so it doesn’t matter. But what if there was one isekai protagonist that was just absolutely done with all that stuff before they even started? In fact, they’re just done with everything in general and want it all to end. In other words, they long for the sweet embrace of the eternal slumber that is death.

Someone in Japan decided that that could be a thing, because that’s one of the latest in the summer crop of isekai, No Longer Allowed in Another World. And after seeing the first three episodes, I can honestly say this: it’s built different, and it knows it!

Who is Osamu Daizai?

Before we start, let’s talk about a certain Japanese author, Osamu Daizai. He’s not that well-known in the West, but in Japan, he’s pretty the equivalent to Edgar Allen Poe. He’s famous for creating incredibly dark literature, much of which remains popular in his homeland. He was also famous for his multiple attempts to end his own life due to how troubled he was. In June, 1948, he managed to succeed, with himself and his lover drowning themselves in a swollen river canal at the age of 38.

When the anime starts, Daizai, called “Sensei” here for copyright reasons, is about to make his final suicide attempt with his lover, here called Sacchan. Then, out of nowhere, Truck-Kun’s grandpa shows up, and we all know what happens next.

When Sensei wakes up, he’s in a Western-style church and being greeted by this elf priestess named Annette. She gives him the speech about how he’s been chosen by their magical world to become its newest hero, destined to save them from the Dark Lord. In other words, your standard isekai scenario.

Here’s the thing: Sensei doesn’t care about that. Since he’s from the time before anime and manga were widespread, he doesn’t even know what an isekai is. All he cares about is that his latest attempt to un-alive himself failed, and he just wants to find someplace nice to finish the job. And, if he can help it, find Sacchan in this new world so they can keep their promise. And because his stats are so weak and he’s not an arrogant, pretentious snob like everyone else she’s summoned, Annette and this cat girl that he calls Tama decide to go with him to make sure he’s safe-ish.

And with that, Sensei’s anti-isekai adventures begin.

Sensei is a Different Kind of Protagonist

Right off the bat, the anime makes it clear that it’s not for those who get triggered by suicide. The moment Sensei realizes his last suicide attempt fails, he tries again by overdosing on sleeping pills. And when he gets attacked by a tree monster that tries to choke him out, he accepts it without complaint; and that’s just the first episode. Both times, Sensei’s foiled and it’s played for comedic purposes, but that doesn’t change what he tried to do. Sensei is a man who is so done with life that he wants out. He thinks the only way he’s going to be happy is when he can welcome the sweet embrace of the grim reaper!

One would think that a story about someone as depressed as Sensei is would be equally depressing. Or for Sensei to be this jaded, nihilistic man who sees no value in anything, which is why he wants to end it all.

Yet, he oddly isn’t.

Yes, Sensei’s main goals in this new world are to find his lover and then off themselves together. However, that doesn’t mean he doesn’t see the value in what other people care about. He’s very respectful, listening to other people’s problems and encouraging them to live however they want. And the fact that he does it without any of the confidence or arrogance that many people would have in an isekai helps him to win over the likes of Annette and Tama. The former of whom, the first episode makes it a point of explaining, was starting to get jaded by how full all the Otherworlders she met were.

Which is good, because, by the third episode, things take a turn for the worse when the Dark Lord is defeated a week after Sensei arrives. And without anyone to fight, the Otherworlders start going mad with power and taking over. For comparison, think about what Homelander is about to do with his army of Supes in The Boys, only not as scary.

I guess Truck-Kun’s family isn’t as good as their job as they think.

Sensei is the Anti-Isekai Protagonist

Sensei is an odd protagonist, without a doubt. He has such a passion for what he does as a writer, which I can respect, yet he’s also critical about himself. He’s brilliant, kind, and understands how important life is, yet he finds no value in his own. He doesn’t want to deal with the nonsense of an isekai, but he’s rather suited for it. He’s a rather refreshing change of pace in the genre. And while this can’t reach the same heights as the GOATS like Konosuba, Re:Zero, and Mushoku Tensei, No Longer Allowed in Another World should be an interesting watch.

My Verdict: Watch it if you Have the Time

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